rollingstone:

How were you first approached about Back to the Future?
Robert Zemeckis, Steven Spielberg and Bob Gale, who produced, directed and wrote the film respectively, asked for a meeting. We went to Amblin Entertainment in Los Angles. They said, “Look, we’ve written this film, and the lead character is this teenager, Marty McFly. His favorite band would be Huey Lewis and the News. Would you like to write a song?” I said, “I’m flattered, but I’ve never written for a film. We’ll send you the next thing we write.” That was “Power of Love.” I didn’t think it would work since there was no love interest in the film, but clearly they used it pretty well.

Huey Lewis sat down with us to talk about the landmark album Sports, as well as American Psycho, Back to the Future, “We Are the World” and many other things.  

You’re Bruce Wayne, the Prince of Gotham, you’d have to go a thousand miles to meet someone who didn’t know your name

(Source: palpattine, via detective-comics)

You cannot live life without consequences. Whenever you do something, there will be a consequence. Just like violence [on film] only works if there’s a consequence. You can’t just be violent for violence’s sake, because it’s not emotionally engaging. - Nicolas Winding Refn

(Source: howtocatchamonster, via repllicunt)

spaceexp:

Gravity, screen shots from the official trailer

(via foressence)

danejuan:

monumental 

In the scene where Jack is writing and gets mightily upset when Wendy interrupts him, the chair behind Jack vanishes and then reappears. This was intentional from Kubrick. The audience was supposed to get a subconscious feeling that something was wrong.

(Source: oakenshielld, via supreme-carnage)

(via supreme-carnage)